Showing posts with label Shakespeare. Show all posts
Showing posts with label Shakespeare. Show all posts

Wednesday, August 19, 2015

All Hail Macbeth!

"God's benison go with you, and with those
That would make good of bad, and friends of foes."

William Shakespeare




I've mentioned previously that we are listening to & reading Shakespeare's Macbeth and on the weekend we headed for the hills to be present at MariMudge Shakespeare's first ever performance of that very play.



 The Cast

L to R: Mr T - 15yrs; Mr. I - 15 yrs; Miss C - 7 yrs; Miss S - 13 yrs; Miss M - 8 yrs; Miss L - 14 yrs.



I was privileged to have a rare interview with two of the weird sisters, and I must say that casting the pair in this role was a stroke of genius. Who would have known that these two with their child-like demeanour and seeming innocence would have led Macbeth down the path he took?

 But 'tis strange:
And oftentimes, to win us to our harm,
The instruments of darkness tell us truths,
Win us with honest trifles, to betray's
In deepest consequence.

Macbeth: Act 1: Scene 3


Beware, Macbeth!
Not really, my nieces are very sweet!

The Royal Shakespeare Company production starring Ian McKellen and Judi Dench is a sparse but good interpretation of Macbeth we watched a few years ago. The scene where Macduff's wife is murdered is one you might want to skip but apart from that nothing else comes to mind. Even so, it would be better appreciated by those of a high school age as it relies mostly on dialogue and there isn't much in the way of props. Both actors are wonderful and the weird sisters not as creepy as those found in other versions of Macbeth.




Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.

Macbeth: Act 5: Scene 5





The Gael  - this piece is mostly known by its inclusion in the film, The Last of the Mohicans, but it was written by a Scot, Dougie Maclean (The Gael = The Scot or Scotsman). It's a stirring piece of music so I can understand why they pinched it. Here it is so you can feel the Scottish atmosphere of  Macbeth...





Here's the smell of the blood still: all the
perfumes of Arabia will not sweeten this little
hand. Oh, oh, oh!

Lady Macbeth: Act 5: Scene 1 



Although Shakespeare based his play on fact - Macbeth did rule Scotland in the eleventh century - he  changed some historical and chronological details. The book Macbeth and Son by Jackie French is an interesting version of the character of Macbeth which takes a very different view to that of Shakespeare. It uses a modern setting and interweaves the time period of Macbeth's Scotland into the narrative. One of my daughters really enjoyed this book, when she was around 13 years (?) of age:




There is an account of Macbeth in H.E. Marshall's Scotland's Story



 

Monday, May 18, 2015

All's Well That Ends Well by William Shakespeare (1604)

All's Well That Ends Well was based on a story from the Decameron (a collection of tales written in the 14th Century) and is often described as a problem play. It appears to be a comedy - it contains humorous scenes such as the interrogation of Parolles, and love wins out in the end - but there are other aspects of the play which are unlike Shakespeare's other comedies.
The story takes place in Rossilion, Paris, Florence and Marseilles.

 Helena & the Countess, Folger Shakespeare

The Main Players

Rosillion
Countess of Rossilion (or Rousillon)
Bertram - her son, the Count of Rossilion after his father's death Helena - a gentlewoman of the household
Lavatch - the Countess's clown
Parolles - a friend of Bertram's

Paris
King of France
Lafew (or Lafeu) - a old Lord
First & Second Lord Dumaine - Lords in the King's service  

Florence
Widow Capilet
Diana - her daughter

The Storyline

The King of France is ill and no one can cure him. When his friend Count Rossilion dies, he commands Bertram, the Count's son, to attend him at court.
Bertram takes leave of his mother and goes to the King in Paris.
As the King reminisces about Bertram's father, he laments that the skilful physician, Gerard de Narbon, is also dead and cannot help him.
Helena, the physician's daughter has been living under the care of the Countess Rossilion and secretly loves Bertram. When Bertram goes to Paris, Helena follows him and by using knowledge learnt from her father, she cures the King.
The King rewards her by allowing her to choose a husband from among the bachelors at his court and she chooses Bertram.
Bertram declares he cannot marry Helena because she is of an inferior class, but after threats from the King, he goes ahead with the marriage. Unwilling to consummate the marriage, he tells Helena to go to his mother under some pretence and he immediately runs away to the wars in Italy with his friend Parolles.
Bertram writes to Helena from Florence and says:

When thou canst get the ring upon my finger, which never shall come off, and show me a child begotten of thy body that I am father to, then call me husband; but in such a "then" I write a "never."

The Countess is furious with her son's behaviour and blames Parolles' influence. Helena goes on a pilgrimage to Florence and there she meets the Widow Capilet and her daughter Diana, who is being courted by Bertram. When Helena reveals her situation to the Capilet's, they fall in with her plan and Bertram is told that Helena is dead. Under cover of darkness, Helena takes Diana's place and goes to meet Bertram, who has promised to marry Diana. He gives Helena his ring, believing her to be Diana, and in return receives the ring that the King gave to Helena after she had cured him. Helena conceives a child that night and Bertram returns to his mother's house unaware that he had shared his bed with his wife and not Diana.
The King is also at Rossilion and expresses his grief over Helena's death. Bertram asks for his forgiveness saying that he did love Helena but when the King sees the ring he gave Helena, Bertram is suspected to have done her harm.
Diana arrives not long after which compounds affairs even more until Helena finally enters, tells Bertram that she has fulfilled both conditions he placed upon her and he declares that he will love her dearly, forever.

The king's a beggar, now the play is done; All is well ended, if this suit be done...

We listened to the BBC Arkangel audio as we read the play, spreading it over about 11 weeks. I read along with the Cambridge School guide and Benj read it from this website
 
Some thoughts:

Bertram - initially I was a little sympathetic towards him as he was expected to marry someone he had no wish to. His attitude and behaviour quickly put an end to that. He was self-seeking and callous; immature and easily led. His change of heart towards the end of the play seems a little strange.

Helena - a mixed bag. I thought she was rather insipid at times but she did end up displaying some strength of character. Did she really love Bertram or was she just ambitious? Why would she want to marry a man who had been so indifferent to her?

Countess Rossilion - a just, sensible woman who, although she thought Parolles was a bad influence on her son, didn't make excuses for Bertram's bad behaviour.

Parolles - was the source of some light hearted moments in the play even though he was a rogue. He learnt some humility towards the end.

Lafew - the quick witted old Lord discerned Parolles' true nature.

The King - benevolent and kind; his behaviour in the scenes towards the end of the play where the situation comes to a head is amusing.

Diana - both she & her mother were decent people and wanted to do what was right. She had a good head upon her shoulders and didn't allow herself to be taken in by Bertram's flattery.

Something that stood out to me was that apart from Bertram, all the people of rank and position in the play were honourable and well-intentioned. The Countess, for example, loved Helena and was happy for her to marry Bertram even though she was beneath him in rank.





This play is probably best left until highschool unless you use an abridged version such as Charles and Mary Lamb's Tales From Shakespeare. There are some interesting ideas & themes for discussion in this play regarding relationships and morals.


All's Well That Ends Well is my choice for A Classic Play as part of the Back to the Classics Challenge 2015.

Friday, October 10, 2014

The Winter's Tale by William Shakespeare: an overview and reading plan



The Winter's Tale is one of Shakespeare's later plays and at the time he was writing (around 1611) the 'tragicomedy' was in vogue. A tragicomedy is defined by the Oxford School Shakespeare as a play in which 'alarming events and overwhelming passions narrowly avoid their tragic consequences only in the nick of time.'
There is some light-hearted banter in The Winter's Tale but overall the story is melancholy and serious.
Polixenes King of Bohemia has been visiting his childhood friend, Leontes, King of Sicilia. Nine months have passed and Polixenes is planning to return home but Leontes tries to coax him into staying longer. At first Polixenes insists he must go but when Hermione joins her husband in coaxing him to stay, he agrees.

Suddenly Leontes' mind is filled with groundless suspicion and alarm. A form of madness overtakes him and he interprets every innocent word and gesture between his friend and his wife as betrayal and deceit. His behaviour changes towards them both and in his overwhelming jealousy he speaks to his courtier, Camillo, of his suspicions. Camillo sees nothing untoward and reproves his master but Leontes takes no heed.
Camillo, concerned by the situation, warns Polixenes who by this time is aware of the change in his friend's attitude towards him. He decides to return home immediately and Camillo goes with him.

When Leontes discovers that Polixenes has flown, he confronts Hermione and accuses her of adultery. Believing that the child she is carrying was fathered by Polixenes he sends her to prison.
Hermione gives birth to a daughter, Perdita, whilst in prison but Leontes rejects his child and commands Antigonus, one of his lords and an honourable man, to take the baby and abandon her to the elements.
 

John Massey Wright

John Massey Wright's watercolour of a scene from 'The Winter's Tale' - See more at: http://findingshakespeare.co.uk/exit-pursued-by-a-bear#sthash.qL9sCU2m.dpuf

John Massey Wright's watercolour of a scene from 'The Winter's Tale' - See more at: http://findingshakespeare.co.uk/exit-pursued-by-a-bear#sthash.qL9sCU2m.dpuf
Antigonus loses his life while trying to save Perdita but she is found on the Bohemian coast by an honest shepherd who understands there is a mystery behind her appearance and she grows up under his care.
Meanwhile word comes to Leontes that the Queen is dead and he is filled with remorse.


'Leontes is deeply affected.
It's now clear he should not have suspected 
The Queen of deceit; 
His despair is complete, 
Both for them and the babe he rejected...'

James Muirden (Shakespeare in a Nutshell)


Years pass and Polixenes' son, Florizel meets and falls in love with Perdita the 'shepherdess' and is determined to marry her even though his father threatens to disinherit him if he does so.
Camillo steps in and helps the young couple escape to...Sicilia where Leontes, completely humbled and repentant still grieves over his actions sixteen years before.

All through this tale I was struck by the honourable actions of everyone else in contrast to those of Leontes. He was surrounded by people who were loyal and  trustworthy but his jealousy distorted and tainted everything.
The closing scene is moving as Leontes comes to a place of forgiveness and restoration and reminds me of the biblical verse, 'I will restore the years the locust has eaten.'

We listened to the Arkangel audio recording of this play over a twelve week period. My 14 year old followed along with a free online script and I used the Oxford School Shakespeare. My 9 year old daughter just listens and having a basic outline of most of Shakespeare's plays from having read both the Lamb and Nesbit versions she follows along very well.

Be aware that if you have younger ones listening in that the word 'bastard' is used a number of times in the first few scenes. When you hear it belted out by a vehement Ciaran Hinds it is rather jarring when you're not prepared for it. 


 


Our 12 Week Schedule


Week 1
Act 1
Scene 1 - Scene 2 finishing after Leontes says: 'Go play, Mamillius. Thou'rt an honest man.' (Exit Mamillius)

Week 2
Scene 2 from 'Camillo, this great sir will yet stay longer,' to end of Scene 2

Week 3
Act 2
All of Scene 1 and Scene 2

Week 4
Act 2
All of Scene 3

Week 5
Act 3
All of Scene 1 and Scene 2

Week 6
Act 3
All of Scene 3
Act 4
Scene 1 (very short)

Week 7
Act 4
All of Scene 2 and Scene 3

Week 8
Act 4
Scene 4 (this is a very long section and I just stopped about a third of the way through)

Week 9
Act 4
Continue with Scene 4

Week 10
Act 4
Finish Scene 4


Week 11
Act 5
All of Scene 1

Week 12
Act 5
All of Scene 2 and 3

The End